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Description:
The Image T5 and T6 Towers
The Image Series’ two towers — the T5 and T6 —
are slim floorstanding models 37 and 41 inches high that deliver
full-bodied, technically refined sound with tonal, spatial and
dynamic accuracy. The T5 is a dual woofer transitional twoand-a-half
way design with identical 5-1/4-inch woofers and a one-inch titanium
tweeter. The T6 is a three-way dual-cavity, dual-ported design
with 6-1/2-inch woofers and a discrete 5-1/4-inch self-contained
midrange driver. The T5 and T6 are rated up to 175 and 200 watts
at 6 ohms, respectively. Many of these design features are similar
to those in found in the award-winning Synchrony One design approach.
The woofers employ injection-molded diaphragms with a proprietary,
clay/ceramic-filled polypropylene cone that uniquely optimizes
stiffness, internal damping and low mass. The woofers’ magnetically
neutral polycarbonate basket contributes additional stiffness,
while its bullet-shaped phase-plug (borrowing from the Synchrony
design) enhances linearity at higher frequencies.
“The T6 Tower is a three-way system similar in execution
to the Synchrony One,” explained Barton. “Not only
are the orientation and arrangement on the front baffle similar
to that of the Synchrony One, the arrangement helps the inphase
lobe tilt up so that the speaker has a very similar voice whether
the listener is sitting down or standing up.”
The T6 cabinet is also designed in a way similar to that of the
Synchrony One, in which each woofer is divided and ported in individual
chambers. The T6 employs two separate chambers and ports, which
eliminates such issues as standing waves inside the box.
“In dividing and individually porting the cabinet we address
the problem of a standing wave inside the box found in many tall,
slim speaker designs,” explained Barton. “Dividing
the cavity into two smaller cavities eliminates the ability of
a standing wave to set up inside the enclosure. Also, putting
woofers in multiple positions reduces the first reflection phenomenon,
minimizing the negative effects of the primary ‘floor bounce’
reflections, resulting in a much more accurate and tuneful bass
performance in any setup.”